A collection of mid-century photographs discovered at a flea market by the editors, depicting a secret group of cross-dressing men meeting and photographing one another at an old Victorian-style house in the Catkills.
Casa Susanna is a fun and fabulous collection of found photography, shot some four decades ago, of a "safe haven" of weekend cross-dressers in the early 60s. While at a New York flea market, inveterate collectors Michel Hurst and Robert Swope discovered a large body of snapshots: album after aged album of well-preserved images, depicting a group of cross-dressers united around a place called Casa Susanna, a rather large and charmingly banal Victorian-style house in what looked to be a small-town in New Jersey. The inhabitants, visitors, guests, and hosts used it as a weekend headquarters for a regular "girl's life." Someone--probably "Susanna" or the matriarch--nailed a wonder board on a tree proclaiming it "Casa Susanna," and thus a Queendom was born. There is an evident pleasure of being here, at Casa Susanna, that is a liberation, a simplification of the conflicts inherent in a double life.
THE STORY: Nestled in the Catskills—1962's land of dirty dancing and Borscht Belt comedy—an inconspicuous bungalow colony catered to a very special clientele: heterosexual men who delighted in dressing and acting as women. These white-collar professionals would discreetly escape their families to spend their weekends safely inhabiting their chosen female alter-egos. But given the opportunity to share their secret lives with the world, the members of this sorority had to decide whether the freedom gained by openness was worth the risk of personal ruin. Based on real events and infused with Fierstein's trademark wit, this moving, insightful, and delightfully entertaining work offers a glimpse into the lives of a group of "self-made women" as they search for acceptance and happiness in their very own Garden of Eden.
Freedom Beyond Sovereignty
In" Freedom Beyond Sovereignty, " Sharon R. Krause challenges the widely held assumption that human agency is a kind of personal sovereignty, the capacity for self-determination or control over one s action. She argues that this conception misses an essential social dimension of individual agency, to be able to have an impact on the world that one can recognize as one s own. Agency is more than an exclusively internal capacity of a personwhat Arendt and others have called willingit also intimately involves how our actions are viewed and responded to by those around us. Krause contends that we must move beyond the myth of sovereignty if we are to understand the failed freedom of those who are marginalized by inequality or discrimination and grasp the scope of our own responsibility for social change. A fundamental reconstruction of liberal individualism, "Freedom Beyond Sovereignty "enables us to see human action, personal responsibility, and the meaning of liberty in a totally new light. "
Idealists, outsiders, and those brave enough to be themselves, as depicted by visionary photographers and filmmakers including Diane Arbus and Nan Goldin, reveal another America. A visual tour through life at the margins in the United States from the late 1950s to the early 1980s, "Outsiders" highlights the work of iconic photographers and filmmakers who profoundly changed the image of American culture. Kenneth Anger, Diane Arbus, Shirley Clarke, Nan Goldin, Danny Lyon, Garry Winogrand, and their contemporaries challenged rigid postwar society with their powerful films and photographs. Lyon s travels with Chicago biker gangs and Arbus s swordswallowers form a dramatic counterpoint to a trove of midcentury images from Casa Susanna, a community of cross-dressers enjoying country life en femme. "Outsiders" captures diverse and significant subcultures and interests, united by each subject s will to determine his or her own identity. Accompanying the images, essays by curators and critics explore American underground cinema, street photography, the distinct countercultures of New York and Los Angeles, and the spectacle of everyday living in a time of political and cultural turmoil."
The Catskills (“Cat Creek” in Dutch), America’s original frontier, northwest of New York City, with its seven hundred thousand acres of forest land preserve and its five counties—Delaware, Greene, Sullivan, Ulster, Schoharie; America’s first great vacationland; the subject of the nineteenth-century Hudson River School paintings that captured the almost godlike majesty of the mountains and landscapes, the skies, waterfalls, pastures, cliffs . . . refuge and home to poets and gangsters, tycoons and politicians, preachers and outlaws, musicians and spiritualists, outcasts and rebels . . . Stephen Silverman and Raphael Silver tell of the turning points that made the Catskills so vital to the development of America: Henry Hudson’s first spotting the distant blue mountains in 1609; the New York State constitutional convention, resulting in New York’s own Declaration of Independence from Great Britain and its own constitution, causing the ire of the invading British army . . . the Catskills as a popular attraction in the 1800s, with the construction of the Catskill Mountain House and its rugged imitators that offered WASP guests “one-hundred percent restricted” accommodations (“Hebrews will knock vainly for admission”), a policy that remained until the Catskills became the curative for tubercular patients, sending real-estate prices plummeting and the WASP enclave on to richer pastures . . . Here are the gangsters (Jack “Legs” Diamond and Dutch Schultz, among them) who sought refuge in the Catskill Mountains, and the resorts that after World War II catered to upwardly mobile Jewish families, giving rise to hundreds of hotels inspired by Grossinger’s, the original “Disneyland with knishes”—the Concord, Brown’s Hotel, Kutsher’s Hotel, and others—in what became known as the Borscht Belt and Sour Cream Alps, with their headliners from movies and radio (Phil Silvers, Eddie Cantor, Milton Berle, et al.), and others who learned their trade there, among them Moss Hart (who got his start organizing summer theatricals), Sid Caesar, Lenny Bruce, Mel Brooks, Woody Allen, and Joan Rivers. Here is a nineteenth-century America turning away from England for its literary and artistic inspiration, finding it instead in Washington Irving’s “Rip Van Winkle” and his childhood recollections (set in the Catskills) . . . in James Fenimore Cooper’s adventure-romances, which provided a pastoral history, describing the shift from a colonial to a nationalist mentality . . . and in the canvases of Thomas Cole, Asher B. Durand, Frederick Church, and others that caught the grandeur of the wilderness and that gave texture, color, and form to Irving’s and Cooper’s imaginings. Here are the entrepreneurs and financiers who saw the Catskills as a way to strike it rich, plundering the resources that had been likened to “creation,” the Catskills’ tanneries that supplied the boots and saddles for Union troops in the Civil War . . . and the bluestone quarries whose excavated rock became the curbs and streets of the fast-growing Eastern Seaboard. Here are the Catskills brought fully to life in all of their intensity, beauty, vastness, and lunacy. From the Hardcover edition.
Out is a fashion, style, celebrity and opinion magazine for the modern gay man.
Covering American transgender history from the mid-twentieth century to today, Transgender History takes a chronological approach to the subject of transgender history, with each chapter covering major movements, writings, and events. Chapters cover the transsexual and transvestite communities in the years following World War II; trans radicalism and social change, which spanned from 1966 with the publication of The Transsexual Phenomenon, and lasted through the early 1970s; the mid-'70s to 1990-the era of identity politics and the changes witnessed in trans circles through these years; and the gender issues witnessed through the '90s and '00s. Transgender History includes informative sidebars highlighting quotes from major texts and speeches in transgender history and brief biographies of key players, plus excerpts from transgender memoirs and discussion of treatments of transgenderism in popular culture.
Travels Through Germany Bohemia Hungary Switzerland Italy and Lorrain
Johann Georg Keyssler A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de Travels Through Germany Bohemia Hungary Switzerland Italy and Lorrain Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.
Frida Kahlo was not only an iconic artist, she was also a bold beauty and an avant-garde fashionista whose timeless sense of style continues to inspire and influence the worlds of fashion, media, and art today. Fashion is an optical effect that Frida knew how to employ with shrewd intelligence and artistic intention. Frida knew that life is theater, and fashion was her costume. Frida understood the importance of image and attitude, no matter who you are.The canvas was Frida’s mirror, and she was the painter, the model, and the painting—author, subject, medium, and object. Frida was her own best work of art.